Happy New Year!

Canon 7D with 40mm f2.8 lens

Now that it is 2014, I’m proud to present to you:
A new website!
A new camera!
A new blog template!

How exciting my tech life is these days.

New Website
I created a new website, HaleyMBrown.com, to showcase my photo and video work and provide an official way of contacting me, since now I have a new business email address (haley@haleymbrown.com) through the website. The website has been live since summer, but I haven’t made it known through this blog yet, so I thought now is a great time to share. It’s very visual, very media and I like it. Teal, turquoise and red are my favorite colors and I used an image that incorporated those colors from the background of a teleprompter that I had photographed on a prior shoot. I thought this photo represents what I do professionally very well: photography, video, teleprompting, production, all of that and then some.

New Camera
I have craved a new camera for quite some time now, especially since I’m a videographer and editor at my job. Since I work on high quality equipment at my job, I thought I should also invest and incorporate comparable gear into my freelance/hobby life as well, which will benefit me in the long run anyways. I felt like I pushed my older camera’s functions to many extremes, and it was starting to limit what I wanted to do such as more low-light and night photography, as well as time-lapses and VIDEO! Right before 2013 ended, Lorne, who I work with for Perfect Cut Productions, offered me a great deal on his Canon 7D + 40mm f2.8 pancake lens + accessories and I felt like the deal was too good to pass up, even though it was all of a sudden and right after Christmas. It was time to upgrade my equipment. And fun fact, I’ve actually used this camera many times on set with his crew so I knew it was in good hands prior to me buying it which tends to be a fear when buying (gently) used gear. So the deal worked, and now I’m able to offer photo and video services at an even higher quality than before! Plus, it’s a new toy for me and I’m eager to work on new projects, of course.

New Blog Template
Lastly, to round out my media upgrades, I unveil the new blog template that I just recently changed. To me, this layout feels fresh and bright and coordinates well with my website. Some of the previous blog posts may not be formatted well with the new layout, since I designed the original posts to work well with the former layout, but I’m doing my best to update those. I get to figure out how best to display my images within posts and what works well with my new layout. If you find any bugs with my blog or my website feel free to email me or drop a reply on here; I’m pretty quick about finding the solution.

More Projects
My tech life is always a work in progress, which reflects how much media shifts and evolves over time, but it’s something you can always use to improve your skills, challenge yourself and achieve creative results, which keeps media exciting! My New Year’s Resolution? To take more photos and video!

I know that later this month, I will help out on set of a featurette produced by Tugboat Pictures, and I also have a couple of photo sessions in mind for portraits/headshots. So I look forward to shooting more and in turn posting about my experiences and projects, accompanied with photos from my new camera!

Thanks for keeping up to date with my work.

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Gobinon

Peter faces the smoke monsters in Gobinon.

In November, my co-worker and friend Byron Wolter asked me to help out on set of his independent feature film, Gobinon. I knew that the film had been a production-in-progress for over a year. Byron even joked to me about how he has used up almost every resource in town to complete the project. Byron wrote, directed and starred in Gobinon and I know he is treating the film like his child. He is caring and tending to it over a long time while undergoing the hardships and pressures of producing an independent film. Seeing that his film is really important to him, I wanted to help his production come to a close by assisting with camera, lighting and general production labor.

Just a few more action scenes needed shot for Byron’s film. These scenes alluded to the mysterious sci-fi movie that Byron had described to me before, shots where his character, Peter, has dream-like episodes where he portrays a janitor chased by smoke monsters.

A shot of Byron Wolter as Peter on the roof during the first night.  Instagram: @brown300

A shot of Byron Wolter as Peter on the roof during the first night. Instagram: @brown300

On the first night of shooting the last shots for the film, the smoke monsters chased Peter across rooftops. The temperature at night dropped really low and we had to shoot the rooftop scenes in harsh, biting winds. The crew persevered and kept working through the cold as we got the needed shots. Byron had wide jumps to clear from structure to structure on the roof. We got to incorporate the given architectural elements into the scene, such as Byron running through these big, pyramid-shaped skylights jutting upwards from the roof, which added unique visual interest and light. He also had to run and abruptly stop at roof edges and peer over them while staying balanced and cautious, which is unnerving at four to five stories high off of the ground.

Matthew Levandoski, Director of Photography.

Matthew Levandoski, Director of Photography.

Thomas Greenwood as a smoke monster.

Thomas Tiggleman as a smoke monster.

On the second evening and after a few takes of a continuous shot of Byron running through the town square, we condensed to shooting in a tight alleyway. We knocked out shot after shot with ease, as it was a closely shot, stare-down moment between Byron and smoke monsters. I had more time to shoot production stills while we kept filming, as set up time for each shot was minimal. Later that night, we wrapped the film. Byron had felt very bittersweet about this, since it was a film he was shooting for over a year but it was finally coming to a close—the beginning of the end of the Gobinon journey.

Recently, I was able to see a rough cut of the film, and I discovered it was layered with more mystery and ambiguity than I had imagined, and was way different from what I had thought. From what I interpreted from this edit—and without spoiling in detail—the dream sequences that Peter experienced shaped his graphic novel as well as complemented the life’s work of his significant other, Rachel, but Peter doesn’t piece this together until the end. Yes, that’s right, it’s also a love story of these two characters, a love story paralleled with the subject of Rachel’s work: the evolution of the species of fish called the Gobinon.

It’s almost no wonder that the quote, “You may change direction, but your heart keeps its bearing,” is central to this film through its story and in its characters and writer.

Now with the production wrapped, Byron can focus on editing and completing the film. He anticipates the night of the big premiere in town, knowing it will feel bittersweet to see the filmmaking process end for this story but remaining hopeful about the future of Gobinon and the film festivals he plans to enter with it. For him to finish the film and submit it to festivals is a huge accomplishment, and I wish him the best of luck saving the world with Gobinon.

Gobinon Official Trailer from ByronWolter on Vimeo.

A busy year.

I admit I haven’t been updating this as regularly as I need to, but that is because I have kept busy working on lots of projects. However, I do want to post an update of what has happened during this busy time.

For the past year, I have worked for the Kelley School of Business as a Multimedia Specialist where I am currently deep into the world of video, which I hadn’t been before. I shoot photos and videos of panel discussions, case competitions, guest lectures, marketing projects and school events.

Most of our videos are created for the Global Leaders Network, which is an academic resource for Kelley faculty, students, alumni and guests. Some videos are uploaded to the school’s YouTube accounts, which I help manage, and here are a few examples of videos that I have edited:

I have also blogged for BtownMenus.com, a Bloomington delivery service, and reported on area restaurant’s deals on food.

I have worked with BloomingtonOnline.net and had the opportunity to photograph the 2012 Homeward Bound Walk for Homelessness as well as the Monroe County Fair.

Then there is the greatest melodic death metal band, Starkill. I say the greatest because they’re the only band I listen to in that genre. I photographed on set of a couple of their videos produced by Perfect Cut Productions this past winter. It was a bitterly cold, long weekend in January but shooting these guys with the PCP crew was worth it.

Earlier this spring, I photographed a musical produced by the Edgewood High School’s theater department.

Finally, I must showcase the portraits that I have taken of my friends that they requested of me for professional or personal use.

I’ve certainly learned a lot in each experience and hope to see more challenges and opportunities, as long as it encourages growth. Here’s to another year of more fun places and people to document.

Lights, Camera, Exercise.

Shooting a music video on the roof overlooking Rose-Hulman's football field.

Video production.

Although I was in media-related majors, I didn’t have production classes in college; I had basic shooting/editing projects in an Intro to Journalism class. This past weekend, I got to see and learn how Perfect Cut Productions produced a music video for Rose-Hulman Institute of Technology’s Sports and Recreation Center. I felt completely useless because I didn’t know how to assemble anything on set and would have hindered the crew further behind schedule, but that’s not what my job was anyways. Instead, I spent each day photographing behind scenes. I shot the crew at work and of their candid moments, images they could use for marketing/advertising purposes.

The whole crew: Nick Maudlin, Evan Richardson, Lorne Golman, Steve Mech, Michael Bennett and Alex Guevara.

Music, Red Bull and a blurry haze of exhaustion

Key elements needed for production sets that I learned: Red Bull, iPod/stereo, candy and chips. These provisions fueled the team for the 15-hour workdays and were much appreciated by everyone. Shout-out to Perfect Cut for the transportation, snacks and meals such as dinner at the local Mexican restaurant.

Sure, a music system of some sort is obvious for the set of a music video, but an upbeat, energetic and comical playlist helps heighten the crew’s work ethic and overall mood throughout the day especially when the days drag on and the tensions through exhaustion begin. If I could create a playlist for this post that would match what we rocked out to, I would. However, WordPress doesn’t have that sort of technology, I don’t think, so instead I’m going to include turquoise, italicized links for you to check out as you read to get an idea of what we used as motivation and inspiration.

Possible scene from "Silent Hill"

On the first day we drove up there, Friday the 17th, the entire drive seemed like we were in the movie, “Silent Hill,” because of the dense fog we tunneled through along the highway. Eerie.

The first day had scenes that included cool hand scanners, a faculty basketball game, Rose-Hulman’s elephant tusks circa 1959, the Vince Lombardi Trophy won by Super Bowl XLI Champions the Indianapolis Colts, elephant mascots and “Gators,” the men’s varsity locker room and finally a night-time jib shot of the building’s entrance at night complete with hyped students and Steve Mech, our talent for the video.

Night shot in front of the SRC.

The GoPro camera makes an underwater debut.

For Saturday morning, we started off with high dives at the pool. Lorne, the director, changed into his SCUBA equipment and shot Steve underwater. Steve, who was wearing weights, said, “I’ve always wanted to do this after seeing Pirates of the Caribbean,” and began walking underwater from a five-foot depth downwards to about eight feet.

“This is the tale of Captain Jack Sparrow, pirate so brave on the seven seas.” –Michael Bolton/The Lonely Island

Next came shooting a pick-up football game, the catwalk above a conference championship track meet, a fluid mechanical engineering lecture, cheerleader stunts and we finished on the roof overlooking the football field at night. I hope Steve conquered his fear of heights by this point. Before this night, I don’t recall ever seeing a silent and reflective group of guys. The roof, the football field, cold weather, a clear night sky and “Paradise” by Coldplay on blast makes for a humbling, thoughtful moment we got to experience both individually yet together.

Sunday was our final day of shooting—a frigid wind chill morning where we had to shoot outside in front of the SRC. Later we shot the weight room which included lifting weights and running on treadmills.

“I-I-I work out.” –LMFAO

We proceeded with shooting racquetball, karate, swing dancing and dance aerobics. Even with the usual down-time here and there, I feel like it was quite an active day.

Rose-Hulman's dance aerobics club dances to "Jai Ho."

Group critique.

Now to wrap up, I really enjoyed being on set and watching video magic happen, making new friends with the Perfect Cut team, and having access to basically wherever we wanted at Rose-Hulman’s SRC because it gave us really cool location/shot opportunities that I know will make this music video interesting and quite frankly AWESOME. Also, much thanks to Michael, Nick and Alex, the guys in the background who continuously assembled and disassembled the lights and hauled the equipment. Without them, we literally wouldn’t have gotten around, and I wouldn’t have such sweet lighting in my set photos.

Once Perfect Cut edits and completes the video, I’ll post it in another blog entry, so please be on the lookout for that.

And as always, go to my > Flickr < account for extra pictures, because you won’t want to miss them.

Side view of Rose-Hulman's Sports and Recreation Center.